BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Northern Clay Center - ECPv6.17.5//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://northernclaycenter.org
X-WR-CALDESC:Events for Northern Clay Center
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20260308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20261101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20270314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20271107T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260926T110000
DTEND;TZID=America/Chicago:20260926T120000
DTSTAMP:20260904T191144Z
CREATED:20260904T173658Z
LAST-MODIFIED:20260904T191144Z
UID:73294-1790420400-1790424000@northernclaycenter.org
SUMMARY:Artist Talk: Michelle Gregor
DESCRIPTION:Main Exhibition Gallery\, FREE \n\n\n\n\n\n\nRegister for artist talk\n\n\n\n\n\n\n\n\nCalliopi\, 2022\, ceramic\, 33″x11″x7″Adriatic\, 2026\, porcelain\, 7″x5″x4″\n\n\n\n\n\n\n\n\n\n\n\nJoin us for a free artist talk with To Be Human exhibition artist Michelle Gregor\, who will discuss her work in the exhibition and delve into how she uses the figurative motif along with decades of experience working with clay. \n\n\n\n\n\n\n\nBiography:\n\n\n\nMichelle Gregor received her BA in Studio Art from the University of California\, Santa Cruz (Chancellor’s Grant) in 1983 and her MFA from San Francisco State University in 1994 (Outstanding M.F.A. Candidate\, Art Department). \n\n\n\nRooted in a tradition of Abstract Figuration\, Gregor is a multifaceted artist who works in clay\, bronze\, paint and drawing media\, handling each medium with a process-oriented and intuitive approach that results in painterly forms and images. She has an intuitive sense of color that unifies her productions in various media and endows all of her work with a painterly vigor reflecting her Bay Area roots and fascination with Abstract Expressionism. \n\n\n\nA tenured Professor of Art at San Jose City College\, Gregor brings to her teaching the same sensibility that defines her studio practice. \n\n\n\nThe human figure has become a central focus in Gregor’s practice\, serving as a consistent point of exploration across media. Her work often involves multiple firings in ceramic pieces and layered applications of color using water-based techniques that allow for natural movement and variation. This additive and subtractive method creates surfaces with a patina-like quality\, emphasizing depth and the passage of time. Her sculptures are noted for their nuanced surfaces and evolving forms. Gregor’s sculpture has been described as lyrical\, graceful\, and spiritual. \n\n\n\n\n\n\n\nArtist Statement\, To Be Human:\n\n\n\nThe figure remains my most reliable point of departure as an artist\, a source that\, after many years of practice\, still feels infinite. Art history offers an inexhaustible treasury of the human form\, and it is within that long conversation that my own work finds its footing. I begin with a simple pose\, seated\, reclining\, or standing. From there the figure begins to take its shape\, each decision emerging directly and in conversation with the material. \n\n\n\nClay has recorded the human imprint for thousands of years. After many decades of working in this medium I’ve settled into a haptic understanding\, an attentiveness to clay’s expressive materiality. Trusting gesture and the spontaneous mark\, the working composition unfolds through all stages of making as a dialogue between hand and material. Beginning with solid construction methods and ending with color applications\, slips\, glazes\, and stains are built up in pools and layers across multiple firings. Wet pigments are left to pool and move\, allowing gravity to contribute its voice within the composition. My hope is that the surface carries the accumulated depth and weight of time passing. \n\n\n\nIdentity is never singular. One is many things at once: artist\, professor\, daughter\, sister\, partner\, queer\, feminist\, educator\, a body moving through time. I don’t make work about these layers so much as from them. Experience accumulates in the body and is expressed through the hands in form\, texture\, and surface\, emerging through the creative process. \n\n\n\nReturning to the figurative motif as a vessel for self-knowledge\, this body of work considers notions of visibility and the richness of lives that exist away from the mainstream. Though not expressly autobiographical\, the work inevitably reflects my own identity and perspective. The act of making is inseparable from the act of claiming space. In a culture that too often forgets its own humanity\, creative practice itself is an act of resistance. To live creatively is to claim space\, to assert personal agency and to inhabit creative birthright.
URL:https://northernclaycenter.org/calendar/artist-talk-michelle-gregor/
CATEGORIES:Artist Talks, Demos, & FREE Workshops,Exhibitions
ATTACH;FMTTYPE=image/png:https://northernclaycenter.org/wp-content/uploads/2026/09/TBH-JoySorrow-Web-Tiles_Michelle-Gregor-Talk-1.png
END:VEVENT
END:VCALENDAR